Are you sleeping?

by Faithful Friar

Did you ever learn the translation to the childhood song “Frère Jacques?”  It hit me as we were ringing bells in our tower one night to mark the end of Vespers. The literal translation goes something like this: Brother John, are you sleeping? Sound the bell for Matins! Ding, Dang, Dong! This dates back to the duty of the monks to ring the “pre-service” bell to alert their communities to the service that will begin shortly. Poor Brother John must have been very tired because he slept heavily and ignored his sonorous duty to his Brothers! We have our own Brother John in our Community, and he is often responsible for ringing the pre-service bell! (So far he hasn’t slept through his commitment.) We ring the bell prior to our Midday Office and Vespers services.   

The tune for Frère Jacques was first published around 1780 in France, and the words were first seen in 1825. The tune is so familiar as to be claimed as a national folk song in many countries around the world, with Frère Jacques’ name changed to fit the country….Bruder Jakob,  Fra’Martino,  Panie Janie, and Mester Jakob to name a few.

So, whenever Br. John rings our pre-service bell, we are fitting right in with years of “Frère Jacques” tradition!   

FrereJacques

Sacred Seeing: The Resurrection

A few years ago, the Community of Jesus published a little book, Sacred Seeing: Praying with the Frescoes in the Church of the Transfiguration. As we approached the New Year, it seemed like a good opportunity to share this simple guide to praying with the art here in the church, especially for those of you who aren’t able to come and see it for yourselves. Over the next several weeks, we will be sharing the meditations from the book. We hope that it helps to enrich your prayer life in 2017!

The Resurrection

The Resurrection, fresco by Silvestro Pistolesi, Church of the TransfigurationSpend a few moments looking at the fresco image.
What is your first impression of this fresco?
What thoughts and feelings does this image evoke for you?

Read the Scripture: Matthew 28:1-7
28 After the sabbath, as the first day of the week was dawning, Mary Magdalene and the other Mary went to see the tomb. And suddenly there was a great earthquake; for an angel of the Lord, descending from heaven, came and rolled back the stone and sat on it. His appearance was like lightning, and his clothing white as snow. For fear of him the guards shook and became like dead men. But the angel said to the women, “Do not be afraid; I know that you are looking for Jesus who was crucified. He is not here; for he has been raised, as he said. Come, see the place where he lay. Then go quickly and tell his disciples, ‘He has been raised from the dead, and indeed he is going ahead of you to Galilee; there you will see him.’ This is my message for you.”

Some thoughts and questions to ponder
How would you describe the expressions of the two women? Take some time to imagine your own experience if you had been with them. What is it like approaching the tomb? Finding it open? Going in? What do you see, hear, smell, touch? What is happening to you?

What does this image say to you about the Resurrection that you have not considered before?

Look at the contrast between the angel and the black-garbed women. What does the contrast of light and dark in this image say to you?

Tradition tells us that the stable in which Jesus was born was likely a cave or grotto. How are these two caves – the place of birth and the place of resurrection – related? Consider one further connection: Emmanuel Chapel is also a “cave.” What does this say to you about the nature of this space?

In what place in your own life right now do you need to hear the angel’s message: “Do not be afraid.” The angel said to the two Mary’s, “Come see the place where he lay.” Jesus said something similar to Andrew, “Come and see.” (John 1:39) What does this invitation mean to you today?

Notice the pieces of rock on the ground. What stone in your own life needs to be shattered so that you can see the resurrected Lord?
Prayer
Lord, you said that you would rise again.
I thought maybe it was just a metaphor;
something to make me feel better
as the road got rougher,
as the sky grew darker,
and death drew nearer.
But you really meant it –
not just that things would get better,
but that the roughness, and the darkness, and the death
actually had a purpose – have a purpose.
Because of your cross, mine.
Because of your resurrection, mine.
Because you live, I will live also.

“Go and tell them that he has risen.” 
Lord Jesus,
you have asked me to be a witness of your resurrection.
But I wasn’t there.
I didn’t watch them lay you in that tomb.
I couldn’t feel the earthquake.
And I haven’t seen an angel pointing to your empty grave clothes.
No, but you have made my heart your tomb,
the place of your repose,
and there I have seen you rise, again and again.
I am a witness of your resurrection.
Tell me today, who you want me to tell.

O God,
who for our redemption
gave your only-begotten Son to the death of the cross,
and by his glorious resurrection
has delivered us from the power of the enemy:
Grant us to die daily to sin,
that we may evermore live with him,
in the joy of the resurrection. Amen.
–Gregory the Great

A Word from the Tradition
An angel descended and rolled back the stone. He did not roll back the stone to provide a way of escape for the Lord but to show the world that the Lord had already risen. He rolled back the stone for the sake of faith, because it had been rolled over the tomb for the sake of unbelief. Pray, brothers and sisters, that the angel would descend now and roll away all the hardness of our hearts and open up our closed senses and declare to our minds that Christ has risen, for just as the heart in which Christ lives and reigns is heaven, so also the heart in which Christ remains dead and buried is a grave.
–Peter Chrysologus, Bishop of Ravenna (c. 380–c. 450)

Image: © The Resurrection by Silvestro Pistolesi at the Church of the Transfiguration

Listen in to an interview with our cantors!

by Sister Fidelis

This week Jim Jordan and Sr. Evangeline, two of our cantors, were invited to share about Gregorian Chant on a the EWTN radio program “Morning Glory”. They will be featured on radio programs on EWTN, speaking about Gregorian chant, all month long! Enjoy this clip from this week’s program.
EWTNgraphicforchantblog

Sacred Seeing: The Crucifixion

A few years ago, the Community of Jesus published a little book, Sacred Seeing: Praying with the Frescoes in the Church of the Transfiguration. As we approached the New Year, it seemed like a good opportunity to share this simple guide to praying with the art here in the church, especially for those of you who aren’t able to come and see it for yourselves. Over the next several weeks, we will be sharing the meditations from the book. We hope that it helps to enrich your prayer life in 2017!

The Crucifixion

Crucifixion fresco, Silvestro Pistolesi, Church of the Transfiguration

Spend a few moments looking at the fresco image.
What is the general feeling you get from this fresco?
What questions does this image raise for you?

Read the Scripture: John 19:25-34
25 Meanwhile, standing near the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. 26 When Jesus saw his mother and the disciple whom he loved standing beside her, he said to his mother, “Woman, here is your son.” 27 Then he said to the disciple, “Here is your mother.” And from that hour the disciple took her into his own home.

28 After this, when Jesus knew that all was now finished, he said (in order to fulfill the scripture), “I am thirsty.” 29 A jar full of sour wine was standing there. So they put a sponge full of the wine on a branch of hyssop and held it to his mouth. 30 When Jesus had received the wine, he said, “It is finished.” Then he bowed his head and gave up his spirit.

Jesus’ Side Is Pierced

31 Since it was the day of Preparation, the Jews did not want the bodies left on the cross during the sabbath, especially because that sabbath was a day of great solemnity. So they asked Pilate to have the legs of the crucified men broken and the bodies removed. 32 Then the soldiers came and broke the legs of the first and of the other who had been crucified with him. 33 But when they came to Jesus and saw that he was already dead, they did not break his legs. 34 Instead, one of the soldiers pierced his side with a spear, and at once blood and water came out.

THE INSTITUTION OF THE LORD’S SUPPER

26 While they were eating, Jesus took a loaf of bread, and after blessing it he broke it, gave it to the disciples, and said, “Take, eat; this is my body.” 27 Then he took a cup, and after giving thanks he gave it to them, saying, “Drink from it, all of you; 28 for this is my blood of the[b]covenant, which is poured out for many for the forgiveness of sins. 29 I tell you, I will never again drink of this fruit of the vine until that day when I drink it new with you in my Father’s kingdom.”

Some thoughts and questions to ponder
What details do you see in this image? Choose one, and spend some time prayerfully considering its meaning.

Consider the stark contrast between light and dark in this fresco. What is the artist saying?

What does the position of Jesus’ body say to you?

Often, the two thieves are pictured side-by-side with Jesus, but in this fresco they are some distance away, and with their backs to the viewer. We cannot make our their faces. Consider what meaning this might have.

In the image, and according to John’s record, there are four people at Jesus’ feet. By what you see in the fresco, what is each one of them feeling and thinking? Now, imagine yourself as one of them. Which one would you be? Why?

Jesus said, “It is finished.” What has God done in your life that remains unfinished? What is finished?

Prayer
Lord, once you asked if I would value – in the way of your cross – and I said, (how, I do not know,) “Yes, I will.” You knew then how my heart would faint and my will with falter, once I followed you this far, once we got to this awful hill. Here, where darkness gathers, and the birds start to circle, and the Father’s voice falls silent, you bend. You look at me. Now you ask again, if I will follow you – in the way of my cross – and I say, (how, I do not know,) “Yes, your will.”

We are adore you, O Christ,
And we praise you,
For by your holy cross,
You have redeemed of the world.

A Word from the Tradition
What God promises us for the future is great, but what God has already done for us in Christ is greater still. Who can doubt that he will give us his life, since he has already given us his death? Why is human weakness so slow to believe that we will one day live with God? After all, a much more incredible thing has already happened: God died for us. –From a sermon by Augustine (354–430)

Image: © The Crucifixion by Silvestro Pistolesi at the Church of the Transfiguration

Missam Pro Defunctis – Weekday Mass for Lent

By Sister Fidelis

As we approach Ash Wednesday and the start of Lent this week, I’ve been looking at Mass XVIII – Missa pro defunctis, which we use during the Lenten season. While this is one of the “simpler” masses, it is also very beautiful and has been borrowed or expounded upon by composers over the ages – maybe one of the best known being Fauré in his Requiem.

It is interesting that although the Kyrie, Sanctus, Agnus Dei, were not composed together – not even within the same century, they have several similar qualities. For one, the narrow range is noteable. The Kyrie covers the distance of a 7th, the Sanctus a 5th and the Agnus Dei a mere 3rd! Looking through the entire repertoire of ordinary Masses we don’t find any other Mass with such a narrow range. We also see in the Sanctus and Agnus Dei almost entirely syllabic writing – adding to the feeling of humble simplicity.

Then we find a motive – a repeated pitch followed by a whole step – which appears both in the “eleison” of the Kyrie throughout, and twice at the start of the Sanctus. The reverse of that same motive is the intonation of the Agnus Dei – two repeated pitches followed by a whole step upwards! There is something comforting and calm about the way in which this motive weaves in and out and in the way  the overall compositions seem to rise and fall. What is it about this music that lends itself so well to the season of Lent? Could it be connected to the thought of narrowing our focus or simplifying our lives?  Maybe the chant itself will inform us of something in these next weeks…

Click here to hear samples from this mass, and other Gregorian chants from the Requiem, on a recording by Gloriæ Dei Cantores Schola.

Missa Pro Defunctis

Sacred Seeing: The Last Supper

A few years ago, the Community of Jesus published a little book, Sacred Seeing: Praying with the Frescoes in the Church of the Transfiguration. As we approached the New Year, it seemed like a good opportunity to share this simple guide to praying with the art here in the church, especially for those of you who aren’t able to come and see it for yourselves. Over the next several weeks, we will be sharing the meditations from the book. We hope that it helps to enrich your prayer life in 2017!

The Last Supper

TheLastSupper

Spend a few moments looking at the fresco image.
Write down any first impressions you have.
What questions does this image raise for you?

Read the Scripture: Matthew 26:20-29
20 When it was evening, he took his place with the twelve;21 and while they were eating, he said, “Truly I tell you, one of you will betray me.” 22 And they became greatly distressed and began to say to him one after another, “Surely not I, Lord?” 23 He answered, “The one who has dipped his hand into the bowl with me will betray me. 24 The Son of Man goes as it is written of him, but woe to that one by whom the Son of Man is betrayed! It would have been better for that one not to have been born.” 25 Judas, who betrayed him, said, “Surely not I, Rabbi?” He replied, “You have said so.”

The Institution of the Lord’s Supper

26 While they were eating, Jesus took a loaf of bread, and after blessing it he broke it, gave it to the disciples, and said, “Take, eat; this is my body.” 27 Then he took a cup, and after giving thanks he gave it to them, saying, “Drink from it, all of you; 28 for this is my blood of the[b]covenant, which is poured out for many for the forgiveness of sins. 29 I tell you, I will never again drink of this fruit of the vine until that day when I drink it new with you in my Father’s kingdom.”

Some thoughts and questions to ponder
The scripture reference for this image records two major events taking place at the table in the Upper Room – the betrayal and the institution of the Lord’s Supper. How does the fresco express them both?

If you were to imagine yourself as one of these disciples, which one would it be? Why?

Judas is unmistakable in this image. How does the artist depicted the characteristics of his betrayal? What details does he include? What message do you draw from this?

In the Gospel, Jesus refers to everyone at the table sharing from the same dish. Why is this significant?

What does this image tell you about the Eucharist?

The brilliant light around Jesus – radiating from Jesus – is not unlike the light that shone at the Transfiguration. How are these two events related and what does this say about every celebration of the Eucharist?

 

Prayer
Which side of the table in my sitting on today, Lord?
I want to be close by your side,
but if these men didn’t have the strength to stay with you,
how can I?
I can at least sit with you today,
in the wash of your light,
even if I am afraid my choices may someday betray you…
will someday betray you.
I can at least come to the Meal.
Whenever you serve it, I can come.
And I will keep on coming, Lord,
until your side of the table
becomes the only place for me to sit.

O sacrum convivium
O sacred banquet!
In which Christ is received,
the memory of his passion is renewed,
the mind is filled with grace,
and a pledge a future glory to us is given.
Alleluia.
– Thomas Aquinas

A Word from the Tradition
With complete confidence let us all partake of the body and blood of Christ. For in the type of bread his body is given to you, and in the type of wine his blood, that by partaking of the body and blood of Christ you may become one body and one blood with him. Thus, when his body and blood or imparted to our bodies, we become Christ bears. As the blessed Peter himself said: we become partakers of the divine nature. (2 Peter 1:4)
– From instructions to the Newly Baptized, Cyril of Jerusalem (c. 313–386)

Image: © The Lord’s Supper by Silvestro Pistolesi at the Church of the Transfiguration

High Stakes Teamwork

by Faithful Friar

This year our bell ringing band plans to attempt our first “peal”. This is a big deal. Our tower holds 10 bells and we’re working on learning “Grandsire Caters” for the attempt. The peal must include over 5000 “changes” (a change in the order of bells each round) and typically takes at least 3 hours to ring. Peals are often rung to mark major celebrations. Having the capability within our local band to attempt a peal is significant and cause for celebration.

Grandsire Caters Grid

Grandsire Caters Grid from the Bell Tower at the Church of the Transfiguration at the Community of Jesus

Each ringer will learn the patterns for each colored line above, and a conductor will learn how to “call” and direct the attempt using “Bobs” and “Singles” shown on the right.

It takes years to learn how to ring. Most of the ringers in the peal band began learning in 2009 when the bells were installed. The first stage involves simply understanding how to control the bell, often referred to as “handling”. Next, we begin to learn patterns and methods. Enough of our band is at this stage where we can now attempt a peal in 2017. Attempting a peal will be a significant and exciting milestone.

There is an interesting aspect to the ringing language used in the tower, specifically the word “attempt”. We never say, “we’re going to ring a peal”, always “attempt a peal”. I think it underscores the challenging nature of a peal. If any one of the ringers “gets lost”, makes a mistake in the patterns, over the 3 hours of ringing, we will not have rung a peal. So, the stakes are fairly high for each ringer to stay focused and learn the patterns as best as possible. During the attempt, ringers often help each other stay on track, giving a nod here, a look there. Subtle affirmations point to advanced levels of teamwork and encourage success.  We very much hope our attempt is successful and look forward to hearing a celebratory peal attempt ringing out over Cape Cod Bay.

Sacred Seeing: Healing the Man Born Blind

A few years ago, the Community of Jesus published a little book, Sacred Seeing: Praying with the Frescoes in the Church of the Transfiguration. As we approached the New Year, it seemed like a good opportunity to share this simple guide to praying with the art here in the church, especially for those of you who aren’t able to come and see it for yourselves. Over the next several weeks, we will be sharing the meditations from the book. We hope that it helps to enrich your prayer life in 2017!

Healing the Man Born Blind

HealingManBornBlind
Spend a few moments looking at the fresco image.
What immediately strikes you when you look at this image?
How would you describe what is happening?

Read the Scripture: John 9:1-41

As he walked along, he saw a man blind from birth. His disciples asked him, “Rabbi, who sinned, this man or his parents, that he was born blind?” Jesus answered, “Neither this man nor his parents sinned; he was born blind so that God’s works might be revealed in him. We[a] must work the works of him who sent me[b] while it is day; night is coming when no one can work. As long as I am in the world, I am the light of the world.” When he had said this, he spat on the ground and made mud with the saliva and spread the mud on the man’s eyes, saying to him, “Go, wash in the pool of Siloam” (which means Sent). Then he went and washed and came back able to see. The neighbors and those who had seen him before as a beggar began to ask, “Is this not the man who used to sit and beg?” Some were saying, “It is he.” Others were saying, “No, but it is someone like him.” He kept saying, “I am the man.” 10 But they kept asking him, “Then how were your eyes opened?” 11 He answered, “The man called Jesus made mud, spread it on my eyes, and said to me, ‘Go to Siloam and wash.’ Then I went and washed and received my sight.” 12 They said to him, “Where is he?” He said, “I do not know.”

13 They brought to the Pharisees the man who had formerly been blind. 14 Now it was a sabbath day when Jesus made the mud and opened his eyes. 15 Then the Pharisees also began to ask him how he had received his sight. He said to them, “He put mud on my eyes. Then I washed, and now I see.” 16 Some of the Pharisees said, “This man is not from God, for he does not observe the sabbath.” But others said, “How can a man who is a sinner perform such signs?” And they were divided. 17 So they said again to the blind man, “What do you say about him? It was your eyes he opened.” He said, “He is a prophet.”

18 The Jews did not believe that he had been blind and had received his sight until they called the parents of the man who had received his sight 19 and asked them, “Is this your son, who you say was born blind? How then does he now see?” 20 His parents answered, “We know that this is our son, and that he was born blind; 21 but we do not know how it is that now he sees, nor do we know who opened his eyes. Ask him; he is of age. He will speak for himself.” 22 His parents said this because they were afraid of the Jews; for the Jews had already agreed that anyone who confessed Jesus[c] to be the Messiah[d] would be put out of the synagogue. 23 Therefore his parents said, “He is of age; ask him.”

24 So for the second time they called the man who had been blind, and they said to him, “Give glory to God! We know that this man is a sinner.” 25 He answered, “I do not know whether he is a sinner. One thing I do know, that though I was blind, now I see.” 26 They said to him, “What did he do to you? How did he open your eyes?” 27 He answered them, “I have told you already, and you would not listen. Why do you want to hear it again? Do you also want to become his disciples?” 28 Then they reviled him, saying, “You are his disciple, but we are disciples of Moses. 29 We know that God has spoken to Moses, but as for this man, we do not know where he comes from.” 30 The man answered, “Here is an astonishing thing! You do not know where he comes from, and yet he opened my eyes. 31 We know that God does not listen to sinners, but he does listen to one who worships him and obeys his will. 32 Never since the world began has it been heard that anyone opened the eyes of a person born blind. 33 If this man were not from God, he could do nothing.” 34 They answered him, “You were born entirely in sins, and are you trying to teach us?” And they drove him out.

35 Jesus heard that they had driven him out, and when he found him, he said, “Do you believe in the Son of Man?”[e]36 He answered, “And who is he, sir?[f] Tell me, so that I may believe in him.” 37 Jesus said to him, “You have seen him, and the one speaking with you is he.” 38 He said, “Lord,[g] I believe.” And he worshiped him. 39 Jesus said, “I came into this world for judgment so that those who do not see may see, and those who do see may become blind.” 40 Some of the Pharisees near him heard this and said to him, “Surely we are not blind, are we?” 41 Jesus said to them, “If you were blind, you would not have sin. But now that you say, ‘We see,’ your sin remains.

Some thoughts and questions to ponder
The fresco depicts the moment when Jesus anointed the eyes of the man born blind. In some other miracles of healing, Jesus simply spoke and the healing took place. Why did he use clay (mud, really) in this case, made from his own saliva and the dirt on the ground?

Even after he was anointed by Jesus, the man could not yet see. What do you think is the significance of his going and washing in the pool of Siloam?

How does this fresco depict Jesus as “the light of the world”? (John 9:5)

In addition to Jesus and the blind man, two other sets of figures appear in the fresco — in the foreground are four close witnesses to the miracle, while in the background there is another group gathered just inside the city gate. What is the difference between these two groups? What do you think is happening? Which group are you in?

Imagine for a moment what might be going on in the minds of the four “witnesses.” If they were to start speaking to one another, what would they be saying?

If you look carefully,  you can see that the city street is strewn with rocks. Do you think that there is a reason why the artist included these in the image? What might it be?

Prayer
Jesus, you said that this man’s blindness had nothing to do with either his own sin or his parents’ sin. His disability was no one’s “fault.” Instead, his suffering was always meant to be redemptive, to be the occasion when God’s work could be revealed. (One can almost imagine your speaking as you pressed clay into his eyes: “Let there be light.”) Given my propensity for placing blame — on others, on myself, even on God — this is a strange thought. I ask about causes — “How did this happen?” — and you speak of purposes —”I make all things new.” Is it possible that the deepest purpose of this man’s life was contained in these extraordinary moments with you? And where do I best find the purpose of my life? Much as I would like to find it in the “strong” moments of success or accomplishment, I think that it appears clearest in the things that bring me to my knees before you, and in the things that bring your healing touch to my life.

O God:
You said at the beginning: “Let there be light,”
and the darkness fled.
Remake my bind eyes, Lord,
so that I may come to see things as you see them,
so that each of my blind spots
may be the occasion for your wondrous work to be done,
again and again.

A Word from the Tradition
The reason for Jesus’ mixing clay with the saliva and smearing it on the eyes of the blind man was to remind you that he who restored the man to health by anointing his eyes with clay is the very one who fashioned the first man out of clay, and this this clay that is our flesh can receive the light of eternal life through baptism. You, too, should come to Siloam, that is, to him who was sent by the Father…. Let Christ wash you, and then you will see.
— Ambrose of Milan (c. 340–397) 

Image: ©2005 Healing the Man Born Blind by Silvestro Pistolesi at the Church of the Transfiguration

Sacred Seeing: Feeding the Multitude

A few years ago, the Community of Jesus published a little book, Sacred Seeing: Praying with the Frescoes in the Church of the Transfiguration. As we approached the New Year, it seemed like a good opportunity to share this simple guide to praying with the art here in the church, especially for those of you who aren’t able to come and see it for yourselves. Over the next several weeks, we will be sharing the meditations from the book. We hope that it helps to enrich your prayer life in 2017!

Feeding the Multitude

Spend a few moments looking at the fresco image.
What is happening here? What do you notice?
Take some time to consider each of the following: the crowd; the disciples; the children; Jesus.

Read the Scripture: Matthew 14:13-21
13 Now when Jesus heard this, he withdrew from there in a boat to a deserted place by himself. But when the crowds heard it, they followed him on foot from the towns. 14 When he went ashore, he saw a great crowd; and he had compassion for them and cured their sick. 15 When it was evening, the disciples came to him and said, “This is a deserted place, and the hour is now late; send the crowds away so that they may go into the villages and buy food for themselves.” 16 Jesus said to them, “They need not go away; you give them something to eat.” 17 They replied, “We have nothing here but five loaves and two fish.” 18 And he said, “Bring them here to me.” 19 Then he ordered the crowds to sit down on the grass. Taking the five loaves and the two fish, he looked up to heaven, and blessed and broke the loaves, and gave them to the disciples, and the disciples gave them to the crowds. 20 And all ate and were filled; and they took up what was left over of the broken pieces, twelve baskets full. 21 And those who ate were about five thousand men, besides women and children.

Some thoughts and questions to ponder
This is the only miracle of Jesus’ ministry that is recorded in all four Gospels. Why would it be so significant?

The Gospel account is specific about the time of day being evening. What does that mean to you?

What do you see when you look at the people depicted in each of the groups listed above? If each group were speaking, what might they be saying? Why are they saying these things? What is happening with them?

Look at Jesus. Look at his hands, his face, his eyes, even his dress. What is he doing? What do you notice? Why is he depicted this way?

Jesus could have fed the crowd in any number of ways. Why do you think he chose for the disciples to distribute the bread?

Prayer
I give to God the fragments of my life. He takes them, holds them up before heaven, gives thanks for them and then, to my chagrin, he breaks them into even smaller pieces. Then, he gives them away, to others—to friends and family, to brothesr and sisters, and to strangers I don’t even know. From the largest pieces to the tiniest crumbs, he wants to give it all away. Then, he hands me back what is left over…and I find in my arms a basket full, to overflowing, more than enough to satisfy. Not a single crumb has been lost.

As one of the crowd
Lord, I didn’t even know I was hungry until you told me to stop and site down at your feet. You have always provided for me, sometimes in very surprising ways. Remember when you…? But now I am wondering again how you can bring anything satisfying out of this wilderness. So, while I wait in need, you stretch out your arms toward heaven, and then you stretch them toward me. I want whatever you are offering, Lord. I need whatever you want to give me. My hands are now open, Lord…and so is my heart.

As one of the disciples
Lord, you have asked me to do many things, but this time what you are asking seems too much. Look at my empty hands—I have nothing to give. These aren’t just words. This is the truth. You want me to feed without food?…and you say it as if you are certain that I can be of help to you. You have the power to do whatever you want; you could do this without me. Nevertheless Lord here is what I can give to you right now. Help me trust you to do the rest.

As one of the children
What are you going to do this time, Lord? I can’t wait to see how you are going to solve this one. You have told me that there is nothing to worry about, so that must mean that you have the perfect answer to everything. What little bit I have in my hands—in my heart and soul—it is all yours. Here, I am giving it to you. Now, Lord, what will you do with it?

A Word from the Tradition

The wonder of the miracle of Jesus feeding the five-thousand surpasses human understanding. What is most amazing, however, is what this miracle teaches us about the compassion and grace of God in Christ. Just as the loaves and fish never seem to end, so our Lord’s mercy more than covers our need, more than comforts us in distress. God’s forgiveness more than exceeds whatever sin we may have done. God’s compassion is greater than our greatest tribulation. Our heart’s desire, the needs of our body and soul, our Jesus meets—and then some.
—Hilary of Poitiers (c.300–c.368)

Image: ©2006 Feeding the Multitude by Silvestro Pistolesi at the Church of the Transfiguration

Look at the birds of the air

By Blue Heron

The long mosaic of the Tree of Life at the Church of the Transfiguration has its roots at the Font, and then stretches East with its massive trunk and branches. The Tree embodies meaning on multiple levels; but for today it represents my own pilgrimage in daily life toward a distant heavenly city.
Sounds glorious in theory, but there are days when my day is less than glorious. I walk toward the altar haltingly, perhaps wounded from my own actions, or reactions; not quite so certain of my welcome.

Often, when I take myself too seriously, the Holy Spirit swoops down to intercede with a little humor. The trunk of this immense tree is covered in branches. And these branches carry all manner of birds; clothed in a myriad of colors and designs. All perky, and preened on the branches, I almost expect to hear them burst into song.

Thus, I am distracted from myself as I recall the beauty of God’s creation. A beauty that is not impersonal or disembodied; but as in his creation of birds, there is an imbedded invitation, an opportunity to let joy and forgiveness undergird all of my life — not just the times when I have done what I should. Good morning, chickadee and cardinal. Hello there, kingfisher and merganser. And fat robin, no shortage of your favorite worms. I return your greeting.

Snowy Egret, detail of mosaic processional path, Church of the Transfiguration, Alessandra Caprara